![]() ![]() Appearing like a timeline at the top of your screen, Story Map lets you organize beats and structure points from the Beat Board, easily view Beat Board content while writing, visually plan milestones and plot points, and navigate your script and Beat Board easier. Not only that, but Final Draft has baked in lots of customizable features that let you stylize text, color code each beat, and drag-and-drop assets between scripts and the Beat Board without sacrificing formatting, all to provide a convenient space to collaborate, organize, and communicate with your team in real-time.įinal Draft has brought integration to the brainstorming process and the writing process with the all-new Story Map. Now, you can insert images to allow collaborators, including directors, cinematographers, and production designers, to visualize ideas. ![]() Perhaps one of the most important areas in which a screenwriter must be organized is inside their own minds, and Final Draft's highly visual and customizable Beat Board offers plenty of features that will help them get there. This addition not only makes creating budgets and scheduling a more painless process but it also makes it easier to collaborate and prepare for production with your team by putting much of the necessary information and assets in one place. With Tags Mode, you can track customizable story elements and character traits as you break down your scripts, tag costumes, props, locations, and more. The company realizes that the closer your screenplay is to "production ready," the more success it will achieve, and Final Draft 11's new features are designed to turn your idea into the most professional presentation possible.įinal Draft has integrated advanced tagging capabilities into the main program to give you enhanced tracking and reporting on your script as you draw up budgets and schedules. ![]() Never one to rest on its laurels, however, the company has announced its latest edition, Final Draft 11, which is designed to even further help writers keep one eye on storytelling and the other on the impending production itself. The software is used for 95% of all productions. Long the industry standard for screenwriting software, the incomparable Final Draft is as closely associated with the screenwriting industry as are the words "INT." and "EXT.". Writing a good screenplay requires the screenwriter to be comfortable with their equipment. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film.Includes an enhanced Beat Board and Story Map that allows writers to do all their story-planning in one place. Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations. Also, the characters are much more dynamic and developed here than in most movies of this kind. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. The provocative story (which was apparently written by an actual highschool teacher) breathes new life into the otherwise stale highschool-drama subgenre. Kevin Reynolds' 187, although billed as another "straight-laced-teacher-turns-troubled-urban-highschool-teens-into-well-rounded-individuals" movie, goes above and beyond this tired premise.
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